Talking and Listening in the Age of Modernity.
Hearing cultures: essays on sound, listening and modernity MPS-Authors Erlmann, Veit External, Max Planck Institute for the History of Science, Max Planck Society; External Ressource No external resources are shared. Fulltext (public) There are no public fulltexts stored in PuRe.
Hearing is the aural reception of the words and sounds we have heard. Listening however, requires concentration so one can process and give meaning to what has been heard. Listening allows the receiver to understand and interpret the message that has been received.
Available episodes of The Essay. Paul Robeson in Five Songs: 5. Joe Hill. Marybeth Hamilton on the ghosts of Joe Hill and Paul Robeson and their linked fates.
Hearing cultures: essays on sound, listening and modernity. Erlmann, V. (2004). Hearing cultures: essays on sound, listening and modernity. New York: Berg. Released show all hide all.
Hearing cultures: essays on sound, listening, and modernity Chapter Nine: Thinking About Sound, Proximity and Distance in Western Experience: The Case of Odysseus's Walkman by Michael Bull Add to My Bookmarks Export citation.
Literally speaking, the word silence comes from the Latin word silens meaning to be still, quiet, or at rest. In English, it still maintains some of these meaning as most modern dictionaries define silence as the condition or quality of being or keeping still and silent, the absence of sounds.
A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology.
Hearing Cultures is a timely examination of the elusive, often evocative, and sometimes cacophonous auditory sense. It answers such intriguing questions as: Did people in Shakespeare's time hear differently from us? In what way does technology affect our ears?
Hearing cultures: essays on sound, listening, and modernity. (Veit Erlmann; Wenner-Gren Foundation for Anthropological Research.;) -- Vision is typically treated as the defining sense of the modern era and a powerful vehicle for colonial and postcolonial domination.
In conversation with musicologists and music theorists, this collection of essays shows that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity.
Buy Music, Modernity, and God: Essays in Listening by Jeremy Begbie (2015-11-12) by (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.
The Online Books Page Talking and Listening in the Age of Modernity: Essays on the History of Sound.
An understanding of the role of sound in our lives and of the importance of music in our emotional and cultural development leads inevitably to the realization that the quality and accuracy of available systems of recorded sound goes beyond a question of free trade and the right to manufacture and sell whatever the public will buy.
Music in the Chords of Eternity. and listen to the sounds of the day as though they were chords of eternity.1.. This essay endeavors to seek out contexts in which such a view of real-world sound intersects with the concept of music and considers the nature of that grey area between music and noise.
Hearing Cultures: Essays on Sound, Listening and Modernity (Wenner Gren International Symposium) by Veit Erlmann (Editor) COVID-19 Update April 22, 2020: Biblio is open and shipping orders.
The loudest sound you can hear is a trillion times more powerful than that. Ears are made not for hearing, but for listening. Listening is an active skill, whereas hearing is passive, listening is something that we have to work at — it's a relationship with sound.